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-- Berthold Auerbach |
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Wishing Well |
| By Gwyneth Baillie | |
| Self-published | |
| Review by Michael Cottrell | |
This is a queer woman with a voice! It is not too often that I get excited, I mean really excited about a musician unless they strike a certain chord in me. Gwyneth Baillie has that ability. There is an edge to her vocals in which it seems her very soul escapes to stir her listeners.
![]() Left: Gwyneth Baillie |
I first met up with Gwyneth at Buddies in Bad Times Theatre during her performance of Shaking the Foundations. Now I don't want to say how many times I went back to watch this show, but let's just say the door people were getting a little freaked out. Was I becoming a groupie?
Whereas Shaking the Foundation was the lyrics of Carole Pope, Wishing Well is Gwyneth's.
Now I don't want to go on and start sounding like an obsessed fan, but Wishing Well is good music. Gwyneth's poetic lyrics, although not deeply complex, do create images…
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Gloomy Sunday (the Hungarian Suicide Song) is not Gwyneth's writing. I didn't know whether or not to laugh or to cry. I still haven't figured it out after many listens but it does make for good drama, and the drama queen in me did enjoy...
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Combined with a voice that is on the edge, Gwyneth has pulled together a good listening album. It is great to hear queer music that strikes a chord within one's being.
Gwyneth's CD is self-published; you can contact her at gwynethbaillie@hotmail.com.
Photos: CD cover by Gwyneth Baillie; Shaking The Foundations by David Hawe
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